THE HERMITAGE OR CHAPEL OF THE HOLY TRINITY
The Hermitage is situated in a peaceful place, overshadowed by trees on the north bank of the River Coquet, a few hundred yards from the castle at Warkworth. It is in
the part of the Manor of Warkworth once called Sunderland Park, and was built as a chantry chapel in the period 1332-49, by Henry Percy II, son of the first Percy, Lord of Alnwick, although some of it was built at a later date.
Walking the path from the castle, reaching the landing stage and hailing the ferry, you enter a world of romance and intrigue. Guidebooks cannot convey the romance of the place and being there brings a sense of peace and serenity. Walking slowly up the path through the trees, past the ancient spring on the right, you enter under the yew tree into the twilight world of The Hermitage.
The origins of the chapel are not precise, facts place it as 14th century, established as a chantry by a Percy lord. However romance has it being created by one Bertram of Bothal as a penance for having accidentally killed both his beloved Isobella of Widdrington and his brother in a rescue against Scottish kidnappers. This tale was edited and published in the 18th century by bishop Percy. The story is fascinating but holds very few true facts, other than that the bishop wished to prove himself as one of the noble family, but could not to their satisfaction, as he was born of trades folk from Bridgenorth in Worcester. It is also said that Harry Hotspur's son, landless and living in Scotland after his father’s abortive attempt to overthrow Henry IV, secretly married Eleanor, daughter of the powerful Nevilles, in the chapel. In fact the two did marry after he regained his rightful place.
The first record of anyone living there was in 1471, when the chantry living was given to Thomas Barker, in order that he might say prayers for the Percy family. In 1506,
John Green took over the post, then followed Edward Slegg in 1515. The last incumbent was George Lancaster in 1531. George also became the agent for the park as at this time life was not so certain for the Percy’s and in 1536, the chapel and living were abandoned, as the catholic religion was not popular, particularly as the Percy family were involved in The Pilgrimage of Grace against Henry VIII. It was during the 15th century that the Hermitage was extended, adding the living accommodation on the lower level to the original hewn out chapel and it was, it is believed, during Edward Slegg's time that it became known as the Hermitage, as in the parish records he is listed as “The hermit in residence at the Chapel of the Holy Trinity in the parks at Warkworth”.
A Tour of The Hermitage

Chapel and sacristy. Climb the steps to this area, both are set parallel with the river at an angle of 45 degrees to the house, they lie southeast-northwest, but for convenience of description they are considered as lying east-west. A miniature porch with a seat on either side leads into the inner door of the chapel above which is carved the figures of Christ on the cross with Mary and John on either side. On the inside of this doorway there is said to have been a shield an object resembling a gauntlet, however there are no traces of it now so it may have been a painted emblem rather than carved; under the shield may have been painted the words FUERUNT MIHI LACRYMAE PANES DIE ACNOCTE which translates to "My tears have been my meat day and night; Psalm xlii:3".
The inner chapel measures 2.3m by 6.2m and is covered by three groined bays imitating vaulting supported by semi-octagonal shafts with moulded caps and bases, all cut from solid rock. The two shafts at the northwest end are unfinished possibly due to Scottish raids in 1341, when Warkworth was sacked, an opportunity to hire fresh workers did not arise before the plague of 1349. Work was finally abandoned in 1352, on the death of Henry Percy the patron of the work.
At the east end is an altar with a small cusped recess above it, no doubt for relics; one of the consecration crosses still remains. The altar at present is covered in graffiti some dating to the turn of the 20th century.
On your left when facing the altar, is a four-light barred but unglazed window with flowing tracery, which admits borrowed light to the sacristy. To the right of the altar is an arched recess with two single-light windows. In this recess is a curious piece of sculpture representing a reclining woman, her head supported on a pillow and her feet resting against a piscine. In the recess at her feet is the figure of a man in rough garb, in the window nearest him is the head of a bull, and next to that the possible representation of an angel. At her breast is what is believed to be an infant, the whole may be a Nativity, however due to it’s poor state this is just conjecture as other theories have been put forward; from it being Isobella to Hotspur's mother, and as there are no records from the period in question it is a case of making ones own mind up.
In the centre bay on the south side is a quatrefoil opening with a bowl cut into the inner sill. On the north side are three narrow trefoil headed slits forming the front of a squint which allows the chapel altar to be seen from the west end of the sacristy.
The west bay of the chapel has a doorway to the sacristy, opposite the entrance. Above it is a shield bearing the Instruments of the Passion, with the text once visible;
"Dedernt in escam meam fel; et in siti mea potaverunt me aceto". Translated means "They gave me gall for my meat and in my thirst they gave me vinegar to drink. Psalm lxix: 22". The sacristy measures 1.6m by 8.5m, which includes a lobby once screened off at the west end, in its walls are two recesses the smaller one a cupboard, the larger one may be a bed recess from the original chantry. There is another altar at the far end of the sacristy with part of the wall cut away. It is possible that during the Reformation when places like this were banned, officials came here to take away any valuables and finding none rapped on this wall, getting a hollow echo, believing there to be a room beyond they cut the wall away. The sacristy ceiling is plain, rib-less, barrel vaulted. The whole interior was decorated in white and other colours, traces of paint were still to be found in the nineteenth century. The now open end was once enclosed and there are traces of steps and a doorway.
We will never know what the Hermitage looked like in its day, but by using our imagination we can see more than is visible to the eye today.
Click here for opening times.
Images kindly reproduced with the permission of http://www.strollingguides.co.uk/warkworth